XIPE TOTEC stalks Agent Titan through incarnational gateways.

Titan is flayed with an obsidian biface blade, a stout 24 inches long and 3 inches at its widest, shaped of a solid piece of black glass from Mt. Shasta; it was once used by the local Yurok Indians in their Ghost Dance. He was spell bound by the find earlier in the day when passing through the museum, just prior to a dance exposition by local indians, a passing that later found him in full drunken orthorotation late that evening.

Obsidian biface blades played a very important role in a demon possession case that Titan cracked earlier this spring: the shaman who made these blades was trapped to the spot and obsessed with the wealth. Obsidian is radioactive and creates DOR, which is why it is used in toxick ritual, or ritual that is meant to have a heavy charge of death.

To see this blade in physical reality… and know that it was giving off an ancient and deadly charge…

The Lost Reports of Chris Titan, 2006|09|20|16:05

Xippe icuic, Totec, yoallauana
Hymn of the High Priest of Xipe Totec

Yoalli tlauana, iztleican nimonenequia xiyaqui mitlatia teocuitlaquemitl, xicmoquenti quetlauia.
The nightly drinking, why should I oppose it? Go forth and array yourselves in the golden clothes, clothe yourselves in the glittering vestments.

Noteua chalchimamatlaco, apana, y temoya ay quetzallaueuetl, ay quetzalxiuicoatl, nechiya iqui nocauhquetl, ouiya.
My god descended upon the water, into the beautiful glistening surface; he was as a lovely water cypress, as a beauteous green serpent; now I have left behind me my suffering.

Maniyauia, nia nia poliuiz, ni yoatzin achalchiuhtla noyollo, ateucuitlatl nocoyaitaz, noyolceuizqui tlacatl achtoquetl tlaquauaya, otlacatqui yautlatoaquetl ouiya.
I go forth, I go forth about to destroy, I, Yoatzin; my soul is in the cerulean water; I am seen in the golden water; I shall appear unto mortals; I shall strengthen them for the words of war!

Noteua ce in tlaco xayailiuiz çonoa y yoatzin motepeyocpa mitzualitta moteua, noyolceuizquin tlacatl achtoquetl tlaquauaya, otlacatqui yautlatoaquetl, ouiya.
My god appears as a mortal; O Yoatzin, thou art seen upon the mountains; I shall appear unto mortals; I shall strengthen them for the words of war.

I was set on edge immediately by the title Arcadia for two reasons: first, I just invoked Pan and Arcadia with some ARG cypher buried in the source code; and second, I have just been puzzling on the Shepherds of Arcadia mystery very recently and reported on it.

My report was rather dis-jointed as I recall… frantic… as it was pulled out of one of my coffee experiments. The jist of it was that the whole thing can be likened to a Templar Philadelphia Experiment. They fired up a temple with the Ark of the Covenant in it, and then it disappeared… back into time. It poisoned the natural flow of earth life, and it introduced the DOR and the word virus into Arcadia… destroying the purity and creating the Cities of the Red Night.

Working with the evil Jon Sellers, I was able to get back in time and expose a French disinformation agent from 1924 named “Dussaud,” a famous orientalist. The key lies in a discovery that Dussaud debunked as being fake, which later testing proved him to be lying. I say lying and not wrong because of the vengeance and legally underhanded techniques he used. This discovery was the Glozel Stones.

The Glozel Stones are a collection of Neolithic ceramic tablets from 300 B.C., the same era that Virgil was writing the Eccoluges that the Shepherds of Arcadia are based on. Glozel in located in the same region of France as Rennes-le-Château, where the painting supposedly takes place. The image is of a grave… and, in 300 B.C., we first start to see graves with words inside them.

We have Celtic warriors trying to buy off death with words, with their “name” carved in a ceramic tablet and buried in the closet.

The Lost Reports of Chris Titan, 2006|09|20|16:05

To be continued…